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Tuning And Transposing Parts Another way to use the zones is for stereo samples and for layering sounds. Though some keyboards do not accept or transmit this, assuming a mean value of 64, all AKAI keyboards provide a full implementation z3000xl this function.
To set this, select the keygroup in the field or press and hold manul EDIT key and play the appropriate note and route that keygroup as appropriate and set a suitable level.
Setting Up A Multi Try it also with highly rhythmic keyboard parts. NORM is, of course, normal priority and sets standard dynamic s3000xxl allocation and note stealing will take place with no particular priority.
This selects that key position will affect overall loudness.
Although it may seem a contradiction in terms to use the Wkai mode for ‘multi’ applications, this is to maintain compatibility with data created on earlier Akai samplers. With a positive value set here, playing a note hard will introduce a level of modulation which may be augmented using the modwheel or pressure.
Press the appropriate soft key again to un-mute the effects channel. Check your connections or the output channel of the transmitting equipment. This shows the sample s aka assigned to the zone s. In this way, the SXL becomes almost a complete studio in one box and you could mix down a complete multi-timbral musical performance through the stereo outputs.
AKAI SXL USER MANUAL Pdf Download.
If you then feel that the piano sound is not the right one and want to try a different one, the new sound will be in exactly the same position and at the same level in the mix. In MULTI mode, the four channels of the optional effects processor may be s3000zl so that different programs may have different effects applied to them. KG Below nanual field are the keygroups and their note ranges can be seen alongside them.
Pressing NAME again reverts you to entering letters from the numeric alai. The wkai to this, however, is that as you cross into each keygroup, so the samples’ attack will be re-triggered.
Saving A Multi For compatibility and to be considerate to our customers! Part 1 Drums Part 2 Piano Part 3 Bass Part 4 Strings After you have loaded some suitable programs and assigned them, you should end up with something like this: This may or may not be an inconvenience depending on the way you want to work.
The amount of feedback and the delay time for each channel is separately variable and this gives rise to all sorts of weird and wonderful arpeggio effects.
Studio Manuals – Akai
Bend This selects the pitchbend wheel or lever as the modulation source Pressure This selects aftertouch as the control source. Please bear this in mind when using these functions.
The other options which you may select for modulating the filters are: For example, layer two string sounds in the same way by assigning one strings program to janual parts, giving them the same MIDI channel and detuning them.
Once set, you may turn this on and off freely in the field. In the example of layering strings and piano or the bass synth program, total polyphony will be halved.
Akai S3000XL User Manual
This sets how much pressure or aftertouch will affect loudness after a note has been played. Page Remember that to perform any of these operations, you will need to have enough free memory.
When it is switched ON you will hear the portamento effect as you play. You may also select manula using MIDI program change. Dat Back-up And Restore We will skip for the moment and look at the function of first as these affect the program as a whole.
You will hear the oh so impressive test tone!