Hechos del condestable don Miguel Lucas de Iranzo: Crònica del siglo XV. Front Cover. Juan de Mata Carriazo. Marcial Pons, – History – pages. Hechos del Condestable Don Miguel Lucas de Iranzo (crónica del siglo XV) at – ISBN – ISBN Paris, ———. ”Les formes dramatiques primitives du théâtre espagnol d’ apre`s ‘Los hechos del condestable don Miguel Lucas de Iranzo’ (–).

Author: Yozshugore Tetaxe
Country: Guinea-Bissau
Language: English (Spanish)
Genre: Spiritual
Published (Last): 11 September 2011
Pages: 363
PDF File Size: 11.12 Mb
ePub File Size: 16.25 Mb
ISBN: 358-1-29117-195-1
Downloads: 46057
Price: Free* [*Free Regsitration Required]
Uploader: Tojazuru

His setting is the Castilian frontier with Granada: In this event, one knight defended a bridge, pass, or object from a number of different assailants, a sort of chivalric king-of-the-hill. Besides his close depiction of the city and of the many spectacles offered to the city’s inhabitants by the constable’s largesse, Devaney engages in a close reading and interpretation of these festive events–told in excruciating, partisan, and almost sycophantic detail by an anonymous chronicler.

The citizens, knights, and ecclesiastics under his rule were under something of an obligation to participate, imposing a heavy burden. His final chapter shifts to Murcia during the reign of the Catholic Monarchs and to the festivities associated with the great spectacle of the Corpus Christi processions. English Choose a language for shopping.

Enemies in the Plazabeautifully produced as always by the University of Pennsylvania Irnzo and its very important medieval series, allows us to see these relations–if not always under the guise of “amiable enmity,” then certainly under a new light. Throughout most of his book, Devaney deploys the phrase “amiable enmity” to describe these relations.

Chapter 2 also examines a series of contemporary texts that described, albeit in somewhat idealized fashion, those urban spaces that served as context for Devaney’s exploration of the links between spectacle and frontier society, between amiability and enmity.


Hechos del condestable don Miguel Lucas de Iranzo: Crònica del siglo XV – Google Books

Despite these drawbacks, Las fiestas en la cultura medieval is well organized and easy to read and outlines the major issues and themes bearing on the study of medieval festivals.

Amazon Drive Cloud storage from Amazon.

Moreover, the manner in which he presents the evidence is quite novel, propelled by his ability to bring together the different aspects of urban life in three distinct localities, as well, as the ever present frontier demands. University of Pennsylvania Press, Following the example of the two previous chapters, Devaney presents a detailed portrait of Murcia’s urban development, the nature of the Corpus Christi celebration, frontier society in Murcia, and, most pertinent to his overall argument, the participation or banishment of Muslim and Jews conversos after in what had become by then the premiere religious spectacle in Christian Spain.

Hecchos fourteenth century saw the development of the paso de armaswhich was inspired, according to the author, by romances concerning King Arthur and his Knights of the Round Table. Las fiestas en la cultura medieval.

While the first four chapters introduce the various categories of medieval festivals, it is in the fifth chapter where mguel author provides an in-depth look at actual practices.

Enemies in the Plaza: An important contribution of this book is that it “Europeanizes” the discussion of medieval festivals and ceremonies. Share your thoughts with other customers. The relationship between the king and the populace may also have been different; Ladero Quesada sees unique traits in certain political ceremonies of Castile.

Municipalities, bishops, popes, and kings sought to limit their number, often on the grounds that the frequent cessation of work was overly burdensome, especially to laborers who worked for wages.

VIAF ID: 3268989 (Personal)

Without a popular audience, many of these spectacles became meaningless. There is little or nothing that he misses in term of chronicles and other published primary sources. May one posit unique Mediterranean characteristics to festive representations? Thomas Devaney’s Enemies in the Plaza explores, through the use of three richly illustrated case studies, the intersection of spectacle, violence, the forging of communal identity, and the growing hardening of irazno towards religious minorities or recent converts miguuel late-fifteenth-century Spain.

  ASTM E456 96 PDF

First, although a great deal is made earlier on in the book as to the importance of identifying the audience, there is little here that truly advances his arguments, or lets us see what may have been the true attitudes and responses of the commons.

15.12.08, Devaney, Enemies in the Plaza

At times in this book there is a distracting reliance on secondary quotations, causing the author’s voice to get lost. While Ladero Quesada employs these typologies to give the book its structure, he reminds the reader that the frontiers between them are often blurred. A subject index would have substantially increased the utility of the book. There’s a problem loading this menu right now.

Current Issue Jump to: Amazon Inspire Digital Educational Resources. Thus, moments of peaceful co-existence have to be seen within the larger context of systemic violence.

Amazon Advertising Find, attract, and engage customers. In addition to Sundays, there were festivals specific to each diocese, municipality, or town; those to celebrate patron saints; and more universal celebrations such as Christmas, New Year’s, Epiphany, and Carnival.