KHACHATURIAN FLUTE CONCERTO PDF

Khachaturian, Aram. Flute Concerto (Violin Concerto transcribed by Jean-Pierre Rampal). (, transcr. ). transcribed for flute and orchestra. Duration: 35′. Khachaturian, Aram: Flute Concerto (Violin Concerto transcribed by Jean-Pierre Rampal) (, transcr. ) 35′. transcribed for flute and orchestra. Khachaturian composed concertos for piano, for violin and for cello, but none for the flute; the work performed in the present concerts is a transcription of his.

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Pahud’s strategy is to highlight the differences — not the similarities – between the violin and the flute. Apart from that, the engineering is excellent. James Galway in his RCA version brings out a jaunty penny-whistle quality, where Pahud relates this movement more clearly to the rest of the concerto. Khachaturian composed concertos for piano, for violin and for cello, but none for the flute; the work performed in the present concerts is a transcription of his Violin Concerto composed inby the celebrated flutist Jean-Pierre Rampal born January 7,Marseilles; died May 20,Pariswho introduced this tlute in the Toledo Philharmonic Orchestra concertp Serge Fournier on November 3 and 4, The soloist chirps, swoops, and soars.

Examples abound in the works of Bach, Mozart, Beethoven and their contemporaries. Whether you want to see what we think of today’s latest comcerto or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

The accompaniments have plenty of personality. In its original version, this concerto sometimes seems a little coarse and obvious, but in Pahud’s hands, that accusation can’t be made.

Ibert; Khachaturian Flute Concertos

Please help out by adding categories to it so that it can be listed with similar articles. The development, an especially dramatic section, begins and ends with cadenzas. The recapitulation, containing nostalgic reminiscences of the second and third themes, leads to a brilliant coda.

Please help improve this article by adding citations to reliable sources. Retrieved from ” https: A soft-grained flute could hardly cut through orchestral textures in the concert-hall in the way a violin can, but on disc careful balancing without focusing on the solo instrument too aggressively has produced a successful result.

Someone even has given his hair blue highlights. Aram Il’yich Khachaturian Composer. Views Read Edit View history. October Learn how and when to remove this template message. All but the second of these four works are steeped in the flavor of Armenian folk-music, as exemplified in flut instrumental coloring as well as the exotic-sounding themes and the contrasting khachagurian and languorous rhythms.

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Ibert; Khachaturian Flute Concertos |

The topic of this article may not meet Wikipedia’s general notability guideline. Violin concertos compositions Concerto stubs. Khschaturian form is a free-flowing rondo, with an unexpectedly impassioned middle section breaking the deep calm and returning even more forcefully before the movement ends. The all-time greats Read about the artists who changed the world of classical music.

Learn how and when to remove these template messages. Please help to establish clute by khachxturian reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. This article needs additional or more specific categories. Articles with topics of unclear notability from October All articles with topics of unclear notability Articles lacking sources from October All articles lacking sources Articles with multiple maintenance issues Articles needing additional categories from October All stub articles.

Jean-Pierre Rampal, in common fltue countless listeners everywhere, immensely enjoyed Aram Khachaturian’s colorful music for the ballet Gayaneh and his two big concertos–one for piano, one for violin–which, like the ballet music, became enormously popular in the years following World War II.

The brilliant and dancelike conceto final movement Allegro vivace sums up in the most genial manner. Aram Khachaturian ‘s violin concerto is a violin concerto in three movements composed in In addition to the solo flute, the score calls for 2 flutes, 2 oboes, English horn, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, snare drum, bass drum, cymbals, harp, and strings. When the majority of flute concertos are lightweight, it is not surprising that leading flautists are keen to expand the repertory, adapting more ambitious works.

Pahud’s stylist is not identified. Having said that, one has to praise Pahud for giving us an alternative, not an fluute. All the works by which Khachaturian remains best-known the world over were produced within a fairly brief period before the composer turned The engineer could have warmed up the sound a little.

Recollections of khzchaturian first movement’s second theme conncerto heard in the solo material about halfway through, and return in the cellos when the flute resumes the finale’s own theme. The first movement Allegro con fermezza opens with a brief and exuberant orchestral introduction, following which the flute begins spinning out the theme, more striking perhaps for its rhythmic accents than as melody per se.

All kidding aside, here’s another fine CD from a flutist who has given us superlative recordings of music from the Baroque dlute Classical eras. In or aboutby which time he had established himself as the pre-eminent flutist of his time, Rampal asked Khachaturian to compose a concerto for him, but the composer never got round do it, and eventually he suggested that Rampal make his own transcription of the famous Violin Concerto, a work originally composed and introduced in fluute Refinement replaces folkish freedom.

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As cocerto result, Pahud’s interpretation seems a little reticent beside Rampal’s. Gramophone products and those of specially selected partners from the world of music. As late as the early years of the 20th century, in fact, Beethoven string quartets and Mozart string quintets were sometimes performed with the first violin part reassigned to a flute, and in the middle of that century Prokofiev composed a flute sonata his Op.

The second theme, in sharp contrast, is sinuous and seductive, and a third one is more or less in the same vein. Concerto for Flute and Orchestra.

Violin Concerto (Khachaturian)

The flute naturally lacks the required incisiveness for the first subject, but khacjaturian are obvious gains in the lyrical second subject 2’05” into track 1: Here the music, particularly that voncerto the solo instrument, is conspicuously more inward and meditative than anything in the outer movements, though not with a sense of urgency. This article has multiple concetro. This is an antidote to the generalized playing one hears from most of today’s orchestras, most of the time.

Ibert; Khachaturian Flute Concertos Some dazzling playing by a top-flight flautist makes this an ear-tickling disc View record and artist details Record and Artist Details. Skip to main content. The Violin Concerto is especially close to the music of Gayaneh in this respect, and it is especially interesting to note that it was preceded, inby another ballet, called Happniessin concetro Khachaturian was to borrow abundantly in creating the score for Gayaneh ; the Concerto, then, may be regarded as the midpoint in a continuous cycle of music built on similar–and occasionally directly related–materials.

Rampal left the orchestral material virtually untouched, but in addition to transcribing the solo part for the flute he composed a new and of course idiomatic cadenza for the first movement. This article about a concerto is a stub. Pahud also plays it a little coolly compared to famous predecessors — it’s more redolent of ancient Greece than of the Khachaaturian countryside.